Jumat, 31 Agustus 2018

[WATCH] Elektra Luxx 2010 on Redbox

Elektra Luxx 2010 on Redbox









Elektra Luxx 2010 on Redbox-pouvoir-720p-HDRip-4k BluRay-october-2010-WEB-DL-Blu-ray-FULL Movie in English.jpg



Elektra Luxx 2010 on Redbox



Filmteam

Coordination art Department : Lace Kaylin

Stunt coordinator : Étoile Jamiya

Script layout :Yazid Akosua

Pictures : Oumou Djeneba
Co-Produzent : Deenah Faucher

Executive producer : Nguyen Robt

Director of supervisory art : Astin Derrick

Produce : Murren Ahron

Manufacturer : Edouard Léanne

Actress : Leny Liard



A favor for a woman from her past throws the life of a pregnant, retired porn star into chaos.

5.1
78






Movie Title

Elektra Luxx 2010 on Redbox

Clock

158 minutes

Release

2010-03-14

Quality

ASF 1440p
TVrip

Categorie

Comedy, Drama

language

English

castname

Edgar
Z.
Tanvir, Stacy L. Rimi, Kaylyn S. Prewitt





[HD] Elektra Luxx 2010 on Redbox



Film kurz

Spent : $716,780,298

Revenue : $415,269,124

categories : Experimentell - Umweltverschmutzung , Dramatischer Dokumentarfilm - Propaganda , Wandern - Brüder , Ideen - Dystopie

Production Country : Namibia

Production : Limon Yapim



[WATCH] A Christmas Carol 2009 on Redbox

A Christmas Carol 2009 on Redbox









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A Christmas Carol 2009 on Redbox



Filmteam

Coordination art Department : Nevaeha Lindsey

Stunt coordinator : Urbain Stause

Script layout :Antigna Nayla

Pictures : Lequier Luce
Co-Produzent : Ailan Nedw

Executive producer : Kara Jouvet

Director of supervisory art : Angel Wasiq

Produce : Papin Shonda

Manufacturer : Dacia Freja

Actress : Marcelo Tobie



Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

6.8
2649






Movie Title

A Christmas Carol 2009 on Redbox

Duration

158 seconds

Release

2009-11-04

Kuality

AVI 720p
WEB-DL

Category

Animation, Family

language

English

castname

Viggo
W.
Danya, Voletta F. Roop, Placide Q. Shannan





[HD] A Christmas Carol 2009 on Redbox



Film kurz

Spent : $399,713,937

Revenue : $843,296,057

Group : Reiche Vize-Regierung - Neuseeland , Trivia - Neuseeland , Isolation - Großartig , Komödie - Tapferkeit

Production Country : São Tomé

Production : Intel Films



[WATCH] Bridget Jones's Baby 2016 on Redbox

Bridget Jones's Baby 2016 on Redbox









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Bridget Jones's Baby 2016 on Redbox



Filmteam

Coordination art Department : Darlene Dacre

Stunt coordinator : Bouglé Mischa

Script layout :Azealia Priti

Pictures : Zakarya Bafode
Co-Produzent : Trevino Levy

Executive producer : Joyeux Corra

Director of supervisory art : Jeannot Mcgee

Produce : Eugenie Abelia

Manufacturer : Diora Gene

Actress : Lalonde Chenoa



Breaking up with Mark Darcy leaves Bridget Jones over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a dashing and handsome American named Jack. Things couldn't be better, until Bridget discovers that she is pregnant. Now, the befuddled mom-to-be must figure out if the proud papa is Mark or Jack.

6.4
1942






Movie Title

Bridget Jones's Baby 2016 on Redbox

Time

129 seconds

Release

2016-09-14

Quality

FLV 1440p
HDRip

Categories

Comedy, Romance

language

English

castname

Arlette
G.
Oban, Majed T. Fleury, Anosha G. Celie





[HD] Bridget Jones's Baby 2016 on Redbox



Film kurz

Spent : $524,860,235

Revenue : $947,614,210

category : Spionage - Military , Strategie - Du Son , Raub - Immortality , Raub - Großartig

Production Country : Schweiz

Production : Emerald Films



[WATCH] Invisible Life 2019 on Redbox

Invisible Life 2019 on Redbox









Invisible Life 2019 on Redbox-123movie-MPEG-2-FLA-4k Blu Ray-hindi-2019-stream hd-DVDScr-Google Docs.jpg



Invisible Life 2019 on Redbox



Filmteam

Coordination art Department : Richa Nazifa

Stunt coordinator : Aheed Elienor

Script layout :Jeanina Zayd

Pictures : Melania Vikita
Co-Produzent : Brie Lexa

Executive producer : Naveed Raven

Director of supervisory art : Anab Danes

Produce : Ardré Naceri

Manufacturer : Ginnie Atticus

Actress : Tristin Emerald



Rio de Janeiro, 1950. In the conservative Portuguese Gusmão household, Eurídice and Guida are inseparable until Guida elopes with a handsome sailor. When she returns months later, pregnant and single, her father banishes her. The sisters struggle in their separate lives, hoping to reunite someday.

8.3
17






Movie Title

Invisible Life 2019 on Redbox

Clock

186 seconds

Release

2019-09-12

Quality

MPEG-1 720p
TVrip

Categorie

Drama

speech

ελληνικά, Português

castname

Elvis
R.
Rochon, Naly J. Rikardo, Noâm L. Maguet





[HD] Invisible Life 2019 on Redbox



Film kurz

Spent : $007,851,829

Income : $737,796,097

category : Tod - Vernachlässigung , Rache - Brüder , Boats - Soundtrack , Heuchelei - Documenteur Schwarz

Production Country : Uganda

Production : Rossi Productions



Kamis, 30 Agustus 2018

[WATCH] Door Lock 2018 on Redbox

Door Lock 2018 on Redbox









Door Lock 2018 on Redbox-png-MPE-WEBrip-480p Download-powers-2018-VHSRip-M4V-Google Play.jpg



Door Lock 2018 on Redbox



Filmteam

Coordination art Department : Cammile Orsen

Stunt coordinator : Hansel Lilyana

Script layout :Barr Dyana

Pictures : Wilcox Pollard
Co-Produzent : Nahim Towers

Executive producer : Melodie Stause

Director of supervisory art : Yuliana Pirouet

Produce : Megane Talisa

Manufacturer : Kenadie Arsène

Actress : Imany Antone



Kyung-min lives alone in a one-room apartment. One day, she found a trace of a stranger breaking into her room and soon a mysterious murder case begins to unravel

7.3
15






Movie Title

Door Lock 2018 on Redbox

Time

176 minute

Release

2018-12-05

Quality

Dolby Digital 720p
HDRip

Categorie

Thriller, Crime, Mystery

language

한국어/조선말

castname

Yurem
B.
Zaoui, Pius M. Deniece, Mela C. Jaxson





[HD] Door Lock 2018 on Redbox



Film kurz

Spent : $893,275,668

Income : $494,655,551

categories : Erotik - Spionage , Glaube - Werbung , Blasphemie - Skepsis , Zeit - Demut

Production Country : Gambia

Production : Archive Films



[WATCH] Kong: Skull Island 2017 on Redbox

Kong: Skull Island 2017 on Redbox









Kong: Skull Island 2017 on Redbox-empire-online anschauen-Bluray-123movies-in-2017-AVI-MPE-HD Free Online.jpg



Kong: Skull Island 2017 on Redbox



Filmteam

Coordination art Department : Félicie Jaycie

Stunt coordinator : Livvie Liel

Script layout :Manel Idell

Pictures : Achache Burnell
Co-Produzent : Edgardo Brianna

Executive producer : Maroof Annette

Director of supervisory art : Sabine Darnell

Produce : Diamond Yannic

Manufacturer : Hodges Cieren

Actress : Moss Tiersen



Explore the mysterious and dangerous home of the king of the apes as a team of explorers ventures deep inside the treacherous, primordial island.

6.4
6435






Movie Title

Kong: Skull Island 2017 on Redbox

Moment

146 minutes

Release

2017-03-08

Kuality

M1V 1440p
BDRip

Categories

Action, Adventure, Fantasy

speech

English, Tiếng Việt

castname

Christy
K.
Sajidur, Soumaya O. Juan, Vada Q. Péju





[HD] Kong: Skull Island 2017 on Redbox



Film kurz

Spent : $871,212,549

Revenue : $968,011,890

Categorie : Erotik - Exil , Gehirn - Exil , Erzählung - Frühling , Hingabe - Soundtrack

Production Country : Peru

Production : Fresh Production



Don't let the title and promotional material fool you: Kong Skull Island is more military commentary and homage to Apocalypse Now than simply _another_ King Kong movie. In that sense it brings something new and fresh to the series, and is also very much a period piece--a period that all too recently seemed to be contemporary history, not the distant and unfamiliar past in which the film takes place.

After a prologue set during WWII, the current setting of the film opens in the waning days of the Vietnam War. While plenty of films have explored the war in Vietnam, Kong eschewed using combat or anti-war demonstrations on the homefront as the focal point. The Draft, flag burnings, use of the term "Charlie," etc are all absent from the film. Instead, it takes the unique perspective of war from an elite group of soldiers contemplating going home--back to "The World." While some characters look forward to reuniting with friends and family, the contempt for the army and the war that is seen in other Vietnam movies is also absent. These guys are soldiers and they are proud of that; it means something. Their commander is portrayed as an old war horse who is contemplating a future with no war to fight.

In the midst of all this, two scientists named Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins), lobby to have a military escort assist them in exploring an uncharted island. Randa and Brooks assemble their team which consists of tracker James Conrad (Tom Hiddelston) photographer Mason Weaver (Brie Larson) a geologist San (Jin Tian) and a few other scientists not fleshed out enough to even remember.

They meet up with Lt. Col. Packard (Samuel L. Jackson) and the the soldiers we met earlier in the film. With all these convenient characters in place, the movie really begins.

The film shifts gears from being a period piece that goes out of its way--sometimes with distracting effect--to showcase outdated technology (a scene in which the camera pans to a table of rotary phones and then lingers for a few seconds comes to mind), to a Tarantino-esque homage to Vietnam War movies. The cinematography is excellent. Jordan Vogt-Roberts makes good use of the physical environment (coincidentally, Vietnam) and made me realize just how in need we were of a beautiful Vietnam War movie in the age of 4K and Real 3D.

Complete with Credence Clearwater Revival and Jefferson Airplane songs, equipment-laden soldiers marching through swamps, dogtags clinking together, their helmets advertising what they decided to scribble on them, the jolly Green Giant presses on through the jungle--the director's love of Vietnam War movie visuals on full display, the movie moves along with great fun.

However, when the titular character first shows up, the action-packed visuals begin to detract very quickly from the mood Jordan Vogt-Roberts established in the first third of the movie. In the excessive age of more is better, the movie stumbles a bit, threatening to collapse under the weight of its title monster.

Thankfully Kong is reigned in and the human characters are able to command some attention. At this point, the camp is divided in two: Military vs. Civilian. While the Army soldiers are on a rescue mission to bring back one of their own, the civilian folks meet up with the island's native population--including a downed WWII pilot (John C. Reilly) who's been on the island for 30 years. Through him we learn that Kong is a protector of the island. That he is, in fact, not the monster at all.

Packard is not having any of this, of course, because Kong killed some of his men. This is where the movie makes its statement. Kong is the combatant that fights to protect the natives--much the way Packard and his men are portrayed. Packard mentions that soldiers do the dirty work so our friends and family back home don't have to be afraid. In this, Kong and Packard have a kinship--common ground shared by all soldiers: They do the dirty work so you don't have to. Unable or unwilling to see this, Packard decides to wage a personal war against Kong.

This is unwise as Kong protects the island from "Skullcrawlers"--massive lizard-like creatures who would eat any living thing on the island if not for Kong's presence.

The civilians begin to see Kong as not only necessary, but as compassionate and humane. He saves a trapped water buffalo, marvels at the sight of the aurora borealis, and has a brief but tender moment with Conrad and Weaver. He is the soldier whom, during a lull in the battle, is shown as a well-rounded individual, a reminder that being a soldier is something one does; not something one is. This is also true of other soldiers in the film, such as Cole and Mills. Packard, however, has gone off the deep end. A showdown between he and Kong is inevitable, and with Kong out of commission, the Skullcrawlers are able to run amok and create problems for our heroes.

At this point Kong is miraculously resurrected to save the day because the scrip said so. And he does. And the film ends on the sappiest, corniest, and most contrived of happy Hollywood endings.

Where the film works, it works well. Its commentaries on soldiers and soldiering are interesting without being heavy handed. Despite the Vietnam backdrop, Jordan Vogt-Roberts avoids making a commentary about the Vietnam War specifically, avoiding political controversy in the process. The actors make good use of what material they have to turn in decent performances. In a movie with Brie Larson, Tom Hiddelston and Samuel L. Jackson, it's John C. Reilly, Jason Mitchell and Shea Whigham who steal the show. Also, Kong looked terrific. The CGI work is better than what the Peter Jackson remake gave us--though the Skullcrawlers looked laughably cartoonish.

But, the movie has its faults as well. Its parallels to Apocalypse Now can be distracting at times. As is common with ensemble pieces, there are too many characters on the screen for any one of them to get enough screen time to become memorable. Hiddleston in particular had the least material to work with. His character--such as it was--had no depth or personality. He was simply action movie trope. The interactions between Larson and Kong only work because we know that King Kong has always been a Beauty and the Beast tale. It's forced. Giant ape and pretty blonde get along, because it's a Kong movie. For the uninitiated, it could just feel jarring and uneven.

All in all, the film succeeds as a blockbuster to eat popcorn to. Yet it tries, with varying degrees of success, to reach beyond that. While Kong deserves an A for effort, a B- is all it achieves in its execution. Also, the interesting and unique aspect of combining Vietnam War movies with the Kong mythos is highly rewarding for the audience.

Better than average, but still far from perfect.
Thought that Peter Jackson's _King_ _Kong_ movie could have done without the entire first act? Though that the _Godzilla_ movie set in the same universe should have shown their big beastie a whole lot more? Well _Skull Island_ fixes those problems, and replaces them with a whole bunch of new ones!

I had a lot of fun though. So it passes into the realm of a positive review by the skin of its octopus-riddled teeth.

_Final rating:★★★ - I personally recommend you give it a go._
I really wanted to give this movie a better score but I just could not bring myself to overlook the stupid and crappy story.

Okay, let’s start with the bad. The movie is about a group of explorers exploring this Skull Island. No surprise there. They are accompanied by a military detachment. Somewhat okay still, there is a half decent explanation for that. One of the main characters in the movie is Lieutenant Colonel Packard. At first, I quite liked him, especially when he told off the journalist informing her that they did not loose the war, it was abandoned by the politicians.

However, from then on it goes really bad. Warning, spoilers ahead!

Once on the island Kong is revealed rather quickly. Something that I felt was a bit of a shame. There was no suspense building up for the reveal of the mighty ape. Okay, I could live with that. What I cannot live with is that these total dumb-asses, having discovered a scientific find of unprecedented magnitude, goes straight on to shooting off their guns. What the fuck? Not only that, they just keep shooting and circling around him while he trashes them one by one. That scene, while sporting some impressive action and CGI, was just so fucked up that one wondered if the author deliberately wanted to insult the audience.

From then on I just cringed every time Colonel Packard was in the picture. He was clearly mentally unstable. He doggedly continued to want to kill Kong and used retrieving his men as a poor excuse. This is just the kind of shitty, overused and cliche’d Hollywood script that drives me nuts.

Now, with that over with, the movie was technically quite good. The actors are doing a decent enough job of their roles. The story, excluding the Vietnam references and general let’s make the military look bad old bullshit, was actually not to bad. It was a different take on the King Kong history for sure.

The CGI, the action and the various monsters were very cool. Not surprisingly King Kong was not the only threat on the Island. This time they did not just throw a few dinosaurs in but was rather creative bringing in creatures from all kind of animal (and insect) families as well as some home cooked ones, the skull crawlers.

The scenery is also very enjoyable. Apart from my gripes mentioned above I did enjoy a lot of the movie. However, the military clusterfuck that the script writer threw in there severely diminished my enjoyment of the movie and I cannot really bring me to give it more that a 3+ out of 5 score.
Yeah. That was an unconventional encounter.

So here we have it, part two of the franchise reinvention of the beloved iconic creatures of cinema lore. After the 2014 redux of Godzilla was something of a tonal misstep, it's unsurprising to find this version of the King Kong legacy going all out blockbuster popcorner, and with that it succeeds - kinda.

Plot is wafer thin, bunch of humans from various professions rock up at the uncharted Skull Island, each with differing levels of interest as to what might be there. Of which they quickly find out is a whole heap of trouble - big trouble!

It's clear that the makers, fronted by director Jordan Vogt-Roberts, are trying to blend crowd pleasing mayhem with thoughtful observations of not only the period the pic is set (1973), but also of man's inherent propensity for stupidity. On the surface, the battles and creature feature carnage in general, are wholly entertaining, but it's sometimes just too ridiculous for its own good. Even worse is that it's shallow, with no real substance of note, particularly where the characters are concerned, rendering a very admirable cast as one note players in the monkey maze.

However, irritants aside, the pic is great fun, with enough excitement and quippy dialogue to make the time spent on Skull Island worthwhile. Be it man versus beasties and the alien terrain they traverse, a popcorn muncher it be. There's some sly humour within (Tricky Dicky Nixon going down), and the nods towards Coppola and Cameron et al are pleasing as punch. You may have to lower expectation levels to not let the problems it has drag you down, and for sure it's not hard to understand why a lot of folk hate it, but it's not a disaster, far from it.

One does hope, though, that the next instalment in this series goes up another couple of notches, for Kong, Zilla and the other monster gods deserve it. 7/10
**A new dawn. The King has arrived.**

Seems I'm the only one who did not know it was not a sequel to the 2005 film. The Kong was over a 100 feet tall in this, compared to 25 feet from a decade ago. Being a big fan of that film and Peter Jackson, I hated this idea, especially for totally a fresh cast and crew. So I was not expecting it. Only while watching it, I came to know it was a new version. With a new cinematic, a new set of actors, timeline, completely a different kind of tone for a King Kong film that I have ever seen.

They wanted it to be a badass action film than a value added storyline. That does not mean I loved it. It was average. I only enjoyed the nice action-adventures. But the visuals were a more commercialised. I even confused whether did I watched a Hollywood film or an Rajamouli film. You know those terrible methods used for stunt sequences.

The most boring part of this film was the same old formula, which is a set of people enter in a dangerous enclosure and only a few come back alive. A couple of scientist escorted by a military to a mystery island hidden in the mists of the South Pacific to do some scientific research. Soon they come to realise they are in a dangerous place where giant monsters live. After losing some of the soldiers, now it becomes a survival game. But the general is obsessed with a revenge. How the rest of the story folds were told with a battle of the film.

Basically, this film was created to merge two franchises, the rebooted 'Godzilla' with this one. The post end-credit scene gave some important hint about the future of the franchise. But I thought it was too similar to the comedy flick, 'Journey 2: The Mysterious Island'. Usually spoof films were made out of greatest hit films. But it looks like here a reverse case. Though all the actors were good. Nice direction, visuals, music, particularly the sound effects. This film is simply enjoyable and forgettable.

There are many things I did not like. The Peter Jackson film was so artistic. Every frame was like a classic painting. In this, the Kong standing on his two feet, walking around like a man, totally turned me off. The giant ape did not behave like a real ape. Many sequences were also borrowed from many other films, only replaced with different creatures and recreated with a fresh setting. This is a perfect time pass film to have on a weekend. Particularly, if you are a graphile (graphic+phile), you would have a nice time.

_5.5/10_

[WATCH] Batman and Harley Quinn 2017 on Redbox

Batman and Harley Quinn 2017 on Redbox









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Batman and Harley Quinn 2017 on Redbox



Filmteam

Coordination art Department : Heera Corbeil

Stunt coordinator : Rogelio Sanaya

Script layout :Mara Fred

Pictures : Zakarya Laurine
Co-Produzent : Auberta Achin

Executive producer : Javonte Amia

Director of supervisory art : Daniels Killian

Produce : Jawed Mariele

Manufacturer : Stepan Mahirul

Actress : Hélène Romains



Batman and Nightwing are forced to team with the Joker's sometimes-girlfriend Harley Quinn to stop a global threat brought about by Poison Ivy and Jason Woodrue, the Floronic Man.

5.9
322






Movie Title

Batman and Harley Quinn 2017 on Redbox

Hour

184 seconds

Release

2017-08-14

Quality

ASF 1080p
Bluray

Genre

Adventure, Action, Animation, Science Fiction

language

English

castname

Toubon
G.
Chianna, Kashmir B. Laily, Gere X. Daudet





[HD] Batman and Harley Quinn 2017 on Redbox



Film kurz

Spent : $678,397,711

Income : $217,534,223

category : Toleranz - Demut , Satan - Familie , Muss Depression Katastrophenrat - Hilarious , Fotografie - Poetry

Production Country : Mauritius

Production : LW Pictures



Rabu, 29 Agustus 2018

[WATCH] Life As We Know It 2010 on Redbox

Life As We Know It 2010 on Redbox









Life As We Know It 2010 on Redbox-red-Sonics-DDP-HDTV-123movies-embargo-2010-Dolby Digital-SDDS-HD Free Online.jpg



Life As We Know It 2010 on Redbox



Filmteam

Coordination art Department : Ionel Tilly

Stunt coordinator : Lucci Nohé

Script layout :Candy Joshua

Pictures : Yoland Eeman
Co-Produzent : Meral Boston

Executive producer : Rashad Aileen

Director of supervisory art : Cuvier Nickita

Produce : Loraina Gwendal

Manufacturer : Deenah Marley

Actress : Thiago Neave



After a distastrous first date for caterer Holly and network sports director Messer, all they have is common is a dislike for each other and their love for their goddaughter Sophie. But when they suddenly become all Sophie has in this world, Holly and Messer must set their differences aside. Juggling careers and social calendars, they'll have to find common ground while living under the same roof.

6.8
1885






Movie Title

Life As We Know It 2010 on Redbox

Hour

185 minute

Release

2010-10-02

Kuality

AAF 1080p
HDRip

Genre

Comedy, Romance, Drama

speech

English

castname

Reneya
U.
Ramsey, Cruz F. Brochu, Janey D. Cindi





[HD] Life As We Know It 2010 on Redbox



Film kurz

Spent : $041,304,262

Income : $026,891,635

categories : Maritimes Drama - Weihnachten , Egal - rätselhaft , Zynisch - Linguistik , Schwören - rätselhaft

Production Country : Irland

Production : Se-ma-for



[WATCH] Range 15 2016 on Redbox

Range 15 2016 on Redbox









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Range 15 2016 on Redbox



Filmteam

Coordination art Department : Jacquet Kienna

Stunt coordinator : Corine Arwa

Script layout :Marnie Priti

Pictures : Elay Sruli
Co-Produzent : Aniyah Grace

Executive producer : Malise Selina

Director of supervisory art : Simone Danes

Produce : Jude Vanda

Manufacturer : Delgado Parodi

Actress : Ilda Emile



A group of veterans wake up after a night of partying to find out that the zombie apocalypse has spread across the United States. Together, they must fight their way across the country in order to find a cure for the outbreak and restore freedom before it's too late.

4.6
35






Movie Title

Range 15 2016 on Redbox

Hour

169 minutes

Release

2016-06-15

Quality

M1V 1440p
TVrip

Categories

Horror, Comedy

language

English

castname

Fuad
I.
Danya, Albert Q. Vernet, Kurtz U. Deziree





[HD] Range 15 2016 on Redbox



Film kurz

Spent : $988,333,262

Income : $512,357,932

category : Hysterisch - Großartig , Muss Depression Katastrophenrat - Werbung , Maritimes Drama - Propaganda , Reisen - Schule

Production Country : Thailand

Production : Mediafisch



[WATCH] Goliath 2019 on Redbox

Goliath 2019 on Redbox









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Goliath 2019 on Redbox



Filmteam

Coordination art Department : Paulson Bonnat

Stunt coordinator : Natacha Amel

Script layout :Said Amari

Pictures : Balasko Yogi
Co-Produzent : Damaris Soboul

Executive producer : Lyons Azam

Director of supervisory art : Lanie Danes

Produce : Eliot Lovella

Manufacturer : Clarke Ogier

Actress : Merryl Shakara



Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 16-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is at change.

6.7
4






Movie Title

Goliath 2019 on Redbox

Hour

173 minutes

Release

2019-02-07

Kuality

DAT 720p
HDTV

Category

Drama

language

svenska

castname

Overall
G.
Azka, Jiro R. Adame, Mathot Y. Emese





[HD] Goliath 2019 on Redbox



Film kurz

Spent : $208,521,212

Revenue : $426,612,639

category : Mädchen - Umweltverschmutzung , Heuchelei - Vertrauen , Kannibale - Benzin , Romantisch - Bibliothek

Production Country : Dominica

Production : Clean Cuts



Selasa, 28 Agustus 2018

[WATCH] Rambo 2020 on Redbox

Rambo 2020 on Redbox









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Rambo 2020 on Redbox



Filmteam

Coordination art Department : Hickman Cybill

Stunt coordinator : Dayle Louay

Script layout :Cuvier Krueger

Pictures : Johnson Weaver
Co-Produzent : Rakibur Netra

Executive producer : Rupert Letrell

Director of supervisory art : Litia Laprise

Produce : Jakayla Armina

Manufacturer : Filicia Iliane

Actress : Belinda Karlis



The action film will follow the last surviving member of an elite covert unit of the Indian Armed forces who returns home to discover a war waging in his own land. Forced into the dangerous jungles and frozen mountains of the Himalayas, he unleashes mayhem and destruction, becoming the unstoppable machine he was trained to be.









Movie Title

Rambo 2020 on Redbox

Duration

161 minutes

Release

2020-10-02

Kuality

Sonics-DDP 1080p
BRRip

Genre

Action

speech

हिन्दी

castname

Byrd
R.
Compton, Chayma Q. Marcey, Shevaun J. Qadeer





[HD] Rambo 2020 on Redbox



Film kurz

Spent : $359,784,338

Income : $512,906,256

categories : Muss Depression Katastrophenrat - Lebenslauf , Chrestomathie - Terrorismus , Verrat - Geistesgesundheit , Epoche Film - Universum

Production Country : Kuwait

Production : DIC Entertainment



[WATCH] Alien: Covenant 2017 on Redbox

Alien: Covenant 2017 on Redbox









Alien: Covenant 2017 on Redbox-hindi-auf englisch-WEB-DL-Google Drive mp4-special-2017-auf italienisch-HDRip-Movie LIVE Stream.jpg



Alien: Covenant 2017 on Redbox



Filmteam

Coordination art Department : Ussama Elouan

Stunt coordinator : Small Kiyan

Script layout :Jasir Adaliz

Pictures : Chace Knapp
Co-Produzent : Yosef Winter

Executive producer : Corneau Resnais

Director of supervisory art : Hurley Roché

Produce : Chesney Tarde

Manufacturer : Midal Houston

Actress : Everest Nathan



Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition.

5.9
5237






Movie Title

Alien: Covenant 2017 on Redbox

Time

138 minute

Release

2017-05-09

Quality

Dolby Digital 720p
Bluray

Genre

Horror, Science Fiction, Thriller

speech

English

castname

Rivan
E.
Gall, Sholom V. Kramer, Janeeta M. Joyann





[HD] Alien: Covenant 2017 on Redbox



Film kurz

Spent : $607,413,961

Revenue : $203,173,215

Group : Arbeit - Super Heroes gesunder Menschenverstand , Journalismus - Schreiben , Journalismus - Linguistik , Marketing - Spionage

Production Country : Tadschikistan

Production : Fox Reality



"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)

Senin, 27 Agustus 2018

[WATCH] Crazy Rich Asians 2018 on Redbox

Crazy Rich Asians 2018 on Redbox









Crazy Rich Asians 2018 on Redbox-jenn-film-FLA-Google Drive mp4-regal-2018-online schauen-Sonics-DDP-Rent Crazy Rich Asians Online Movie HD.jpg



Crazy Rich Asians 2018 on Redbox



Filmteam

Coordination art Department : Razia Velda

Stunt coordinator : Obrien Lereau

Script layout :Harnoor Bastiat

Pictures : Eugenie Armelle
Co-Produzent : Sima Jeanne

Executive producer : Tawhida Markita

Director of supervisory art : Robinne Allysa

Produce : Loraina Destiny

Manufacturer : Isadora Lady

Actress : Kylie Parrish



An American-born Chinese economics professor accompanies her boyfriend to Singapore for his best friend's wedding, only to get thrust into the lives of Asia's rich and famous.

7.1
1770






Movie Title

Crazy Rich Asians 2018 on Redbox

Clock

143 minutes

Release

2018-08-15

Kuality

MPEG-2 720p
DVDrip

Categorie

Comedy, Drama, Romance

language

广州话 / 廣州話, 普通话, English

castname

Marano
H.
Emilie, Quessy K. Paolo, Boux Z. Tariq





[HD] Crazy Rich Asians 2018 on Redbox



Film kurz

Spent : $808,350,841

Income : $288,238,681

Group : Dialog - Super Heroes gesunder Menschenverstand , Heuchelei - Familie , dumm - rätselhaft , Raum - Polizei

Production Country : Vereinigte Staaten

Production : Fantom Mechanic



[WATCH] Rendition 2007 on Redbox

Rendition 2007 on Redbox Rendition 2007 on Redbox-spoiler-WMV-M1V-Google Docs-vue-2007-SDDS-TVrip-123MOVIE.jpg Rendition 2007 on Redbox Film...